Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Johann Zoffany
George Prince of Wales and Frederick later Duke of York (mk25

ID: 24267

Johann Zoffany George Prince of Wales and Frederick later Duke of York (mk25
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Johann Zoffany George Prince of Wales and Frederick later Duke of York (mk25


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Johann Zoffany

German (Resident in Britain) 1734-1810 Johann Zoffany Galleries Painter of portraits, conversation pieces, and theatrical scenes, Zoffany was born in Germany and came to England about 1758 after studying in Italy. He began by painting clock faces and doing hack work, before turning to painting theatrical scenes, especially depicting David Garrick. He was favoured by the royal family. George III nominated him for the Royal Academy in 1769 and recommended him to the duke of Tuscany.  Related Paintings of Johann Zoffany :. | William Sharp as shown in The Sharp Family | Charles Towneley's Library in Park Street (nn03) | Charles Towneley in his Sculpture Gallery | John Montagu, 4th Earl of Sandwich | David Garrick as Abel Drugger in Jonson's The Alchemist |
Related Artists:
Pierre Montallier
(c. 1643 - 15 October 1697) was a French painter.[1] He died in Paris.
Mauve, Anton
Dutch, 1838-1888 Dutch painter. He came from a large family of clergymen in the province of North Holland. At the age of 16 he was apprenticed to the animal painter Pieter Frederik van Os (1808-92): animals (especially sheep, but also cows and horses) became Mauve's preferred theme. He then trained for a few months with Wouterus Verschuur, who gave him his love of horses, in the style, at least, of Paulus Potter and Philips Wouwerman.
Carlo Bonavia
was an Italian painter known for idyllic landscape paintings, engravings and drawings. He was active from 1740 until his death in 1788. He is thought to be from Rome, but worked in Naples from about 1751 to 1788. He was trained in the Neapolitan landscape tradition of Salvator Rosa (1615-1673) and Leonardo Coccorante (1680-1750), but was much more strongly influenced by the work of Claude Joseph Vernet, who visited Naples in 1737 and 1746.






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